silhouette

 

silhouette (n.) 1798, from Fr. silhouette, in reference to Étienne de Silhouette (1709-1767), French minister of finance in 1759. Usually said to be so called because it was an inexpensive way of making a likeness of someone, a derisive reference to Silhouette's petty economies to finance the Seven Years' War, which were unpopular among the nobility. But other theories are that it refers to his brief tenure in office, or the story that he decorated his chateau with such portraits. The verb is recorded from 1876.
 
The family name is a Frenchified form of a Basque surname; Arnaud de Silhouette, the finance minister's father, was from Biarritz in the French Basque country; the southern Basque form of the name would be Zuloeta or Zulueta, which contains the suffix -eta "abundance of" and zulo "hole" (possibly here meaning "cave").

A silhouette is the image of a person, an object or scene represented as a solid shape of a single color, usually black, its edges matching the outline of the subject. The interior of a silhouette is basically featureless, and the whole is typically presented on a light background, usually white, or none at all. The silhouette differs from an outline which depicts the edge of an object in a linear form, while a silhouette appears as a solid shape. Silhouette images may be created in any visual artistic media.
 
Cutting portraits, generally in profile, from black card became popular in the mid-18th century, though the term “silhouette” was seldom used until the early decades of the 19th century, and the tradition has continued under this name into the 21st century. From its original graphic meaning, the term "silhouette" has been extended to describe the sight or representation of a person, object or scene that is backlit, and appears dark against a lighter background. Anything that appears this way, for example, a figure standing backlit in a doorway, may be described as "in silhouette". Because a silhouette emphasises the outline, the word has also been used in the fields of fashion and fitness to describe the shape of a person's body or the shape created by wearing clothing of a particular style or period.


Etymology and origins
 
The word "silhouette" derives from the name of Étienne de Silhouette, a French finance minister who, in 1759, was forced by France's credit crisis during the Seven Years War to impose severe economic demands upon the French people, particularly the wealthy. Because of de Silhouette's austere economies, his name became eponymous with anything done or made cheaply and so with these outline portraits. Prior to the advent of photography, silhouette profiles cut from black card were the cheapest way of recording a person's appearance.
 
The term "silhouette", although existing from the 18th century, was not applied to the art of portrait-making until the 19th century. In the 18th and early 19th century, “profiles” or “shades” as they were called were made by one of 3 methods: (painted on ivory, plaster, paper, card, or in reverse on glass;  “hollow-cut” where the negative image was traced and then cut away from light colored paper which was then laid atop a dark background; and  “cut & paste” where the figure was cut out of dark paper (usually free-hand) and then pasted onto a light background.